Visualising Lifeways and Embracing Heritage: Application of Narrative Curatorial Methods in Communicating Archaeology Back to its Community

Adrian Peter Cartalaba* and Timothy James Vitales

Post-excavation community exhibits have evolved through the years from a direct showcase of archaeological finds to a narrative-driven experience. This paper discusses the various curatorial perspectives taken into consideration when creating a community-centred archaeological exhibit for the National Geographic Society-funded research entitled Searching for the Land of Ma-yi, An Archaeological Excavation of Lumban, Laguna. The exhibit was presented to the local community not only to disseminate post-excavation findings but also showcasing the extent of how artefacts can be presented not just as intrinsic found objects but as vessels for storytelling. The exhibit was anchored in a curatorial concept highlighting the parallels between the communities’ past and present lifeways and shared heritage. The narrative approach of the exhibit bridged a communication that engaged the public to look deeper into their own local cultural history transforming curiosity into genuine interest. This paper will also open a discussion on the importance of providing accessible and easily assimilated science communication for mutual understanding of historical value that encourages a community-led discussion on heritage awareness. An effective exhibit is a conversation between the curatorial team and the audience. A narrative point of view in an exhibition can maximise the results of the investigation and presenting archaeological evidence as meaningful artifacts for the community, capturing a grounded and diverse social impact.